The first week of July brings the performance of in situ:’s summer production, Julius Caesar Project. In this article, director Richard Spaul explains the motivation, the aim and the process underpinning the work. Richard, let’s Read more…
The response to in situ:‘s summer production the ghost in me led to an autumnal revisiting of some of the remaining material which was reworked into a new performance given in The Leper Chapel. These Read more…
Review By Silvano Squizzato The version of Hamlet by in situ: is a unique one-man show, such an unusual, compelling, gripping performance that the audience yesterday froze in silence for several moments after it was Read more…
Review by Silvano Squizzato This promenade performance in the Leper Chapel is a mesmerising, synesthetic experience through various sensorial dimensions, where a powerful visual stimulation overlaps a mysterious soundscape and a claustrophobic warm air. When Read more…
We round off our summer productions with Shakespeare’s Hamlet – but as never before. In Richard Spaul’s hands, the classic play becomes a one-man performance, as he singlehandedly takes us, through the political machinations and Read more…
This summer, in situ: presents The Woyzeck Project, an interpretation of the unfinished work by George Buechner, which we will be performing in the Cambridge Leper Chapel. Here, Susan Quilliam speaks to director Richard Spaul Read more…
This winter, our new production is The Demon Lover, the third in director Richard Spaul’s series of spine-chilling tales performed in the Leper Chapel. Here he talks about the show. Why is the idea of Read more…
Be Absolute For Death review by Jane Staggs: Be Absolute for Death, In Situ’s latest offering, is a seriously reworked, promenade version of Measure for Measure. This is an exciting production, an immensely theatrical Read more…